From https://animechronicleuk.files .wordpress.com/2012/06/roujin.jpg |
Director: Hiroyuki Kitakubo
Screenplay: Katsuhiro Otomo
Voice Cast: Chisa Yokoyama (as
Haruko Mitsuhashi); Shinji Ogawa (as Takashi Terada); Chie Satō (as Nobuko
Ohe); Kōji Tsujitani (as Mitsuru Maeda); Hikojiro Matsumura (as Kijuro
Takazawa)
Viewed in Japanese with English
Subtitles
From http://operationrainfall.com/wp-content/uploads/ 2013/07/Roujin-Z-Screen-2.png |
I'll openly admit my love for Roujin Z. The story of student nurse Haruko
and her elderly client being used as a guinea pig for a nuclear powered,
intelligent and multi-purpose nursing bed is one of the least conventional
plots you could have for an animated feature film, even when there're still
robots and explosions involved, and that's something I can immediately adore. The
mark of how imaginative and playful this anime is, as were many from this era
or so, is that the title is shown in a black-and-white live action scene of a
hand painting it in Japanese kanji on scroll paper with a brush. For only over
seventy minutes, you get a fully formed and interesting story as Haruko with
her friends and a trio of elderly computer hackers attempt to rescue her client
Kijuro Takazawa from the research project, only for the bed to develop an
intelligence of its own, taking on the personality of its occupant's late wife
and deciding to take him to the beach regardless of the police or military trying
to stop her.
From http://anime-focus.com/images/2012/06/1-2.jpg |
A factor revisiting the film for
the blog is that I now work, while in the office, for a care organisation for
the elderly. Roujin Z has not dated
at all in its concerns and they have a greater emotional reference for me now
because of my occupation, the bed created by the Ministry of Public Welfare to
deal with the increasing grey population that needs to be cared for. Japan, as
my college geography lessons taught me, has suffered from low birth rates and
an increasingly aging population as medicine and technology has allowed people
to live longer in first world countries. Other reading points out that many
Japanese women would rather have careers than marry, with gender bias still
problematic especially in the work place, the amount of births as a result effected.
This theme of an aging populous is an international issue as well, as the
elderly live longer in countries like my own in Britain, myself working in a
care function which could provide a service even up to a whole twenty four
hours for one person. Neither is the idea of a bed which feeds, exercises and
washes a person, and has everything from communications and games on it
obsolete now. Only that the technology has advanced so much and is considerably
smaller in size differs from this film's original hypothesis and the rest can
be seen as an intentional broad interpretation of the dangers of this
technology if mishandled.
From http://s3.amazonaws.com/auteurs_production/ images/film/roujin-z/w448/roujin-z.jpg |
Great sci-fi has three options to
create something that stands out, all of which can come up in the anime I cover
for the blog. Number 1, like Roujin Z
you deal with real life and ask an uncomplicated "what-if" like how
the future would deal with the elderly crisis; number 2, you make it as
exaggerated and out-there as possible, like Osamu
Dezaki's Space Adventure Cobra (1982),
to the point the notion of datedness means nothing; or number 3 like Neon Genesis Evangelion (1995-6), the
sci-fi tropes are there to reinterpret and bring out the most important factor,
the emotions and characters, of a story. As the purveyor of number 1, Roujin Z is still relevant and the
concern Haruko has of the coldness of the experimental bed feels more president
in general about technology for me. It dangerous puts me close to being a
luddite who yet enjoys his iPod, but my hesitance with simple small boxes which
give people all their entertainment and house functions are enhanced especially
by how mobile phones and the internet have effect how people interact with each
other. The dangers of full dependency on single pieces of technology,
especially when they're dictated by organisations, may sound paranoid but when
this includes the protection and preservation of life, this takes a greater
magnitude, as does the concerns of how technology can make people emotionally
cold despite the paradox of it allow them to interact from afar. Especially in
a care function, such as treating the elderly to the point of cleaning up
bladder incontinence and potential embarrassing situations, human interaction
is even more of an issue. Plus, as the Ministry of Public Welfare in this film
learns when its too late, as many institutions in anime and cinema fail to
realise before its too late, giving a test machine advanced biomechanical A.I.
and the ability to move, in this case somehow becoming a transformer to their
horror, is going to be disastrous.
From http://img11.hostingpics.net/pics/543999roujinzimage.jpg |
And Roujin Z is fun mashing of sci-fi action and a comedy as well. The
briskness of the film prevents it from becoming sluggish, an energy that
practically gallops as the experimental bed escapes its pursuers and absorbs
various objects into itself to get to its destination. The film is incredibly
animated, with quite a few star names who worked on the project. Director Hiroyuki Kitakubo has already been on
the blog for what was sadly his last directorial work, (blog entry #2) Blood: The Last Vampire (2000); someone
with a clear talent, his filmography is very small but also very diverse, the
work he would go to next a sex comedy series called Golden Boy (1995). Akira
creator Katsuhiro Otomo wrote the
screenplay, and the late Satoshi Kon
worked as the art designer. Beyond this the film is incredibly kinetic when it
fully gets going, scenes such as the bed scaling along an aerial monorail with
both invention and exceptional detail to them. That this is all done for a
metaphor about the treatment of the elderly is peculiar, as a military
conspiracy is involved and a spider robot like a Masamune Shirow design makes an appearance, but that in itself
gives the film a heart as well in its centre. The message being even more
relevant now helps exceptionally, and it never conveys it with a heavy
handedness, instead the humour spreading the content evenly out. From the zest
of the elderly hackers, who have utter disregard to acting their age, to the
doomed chivalrous attempts by a suitor of Haruko's who keeps getting frisked by
the cops to save her, the characters in
the film are all memorable and add personality to the central ideas. The humanity
goes as far as to include the bed itself as a character, turned by accident
into a loving figure who only wants to protect the frail old man held within
it. How the film manages to make its explosions and action scenes fit around
such a serene and peaceful the great success of Roujin Z.
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