From https://a.ltrbxd.com/resized/film-poster/1/1/2/3/8/9/112389- urban-square-in-pursuit-of-amber-0-230-0-345-crop.jpg?k=394762bb9f |
Director: Akira Nishimori
Screenplay: Kazunori Itō
Voice Cast: Akiko Hiramatsu as
Naomi; Eiko Yamada as Yuki Tamura; Kazuhiko Inoue as Ryou Matsumoto; Hirotaka
Suzuoki as Shimohara; Kazumi Tanaka as Hasebu; Kei Wada as Professor Naratomo; Makio
Inoue as Henmi; Nobuo Tanaka as Detective Mochizuki
Viewed in Japanese with English Subtitles
Synopsis: Failing author and
deadbeat Ryou Matsumoto finds himself in the middle of mystery, potential love
and the chance of losing his life when he witnesses a man being gunned down on
the street in a chance encounter.
When Adolphe Sax invented the saxophone, did he envision his instrument
being the soundtrack of cheesy eighties lounger jazz? As someone who played the
alto sax until sixteen-eighteen, at college, I have a bias for arguably one for
one of the best looking, designed and sounding instruments ever created
(including the non-alto variants), but I am also painfully aware of how the
nineteen eighties made the instrument a joke. It's not the "Sexy Sax
Man" in the opening of The Lost
Boys (1987) that's a bad example either, that example a meme which became awesome,
but all the terrible soundtracks instead which marred the reputation of Sax's
instrument. Its particularly poignant when one reads of Sax's life and how he
nearly died multiple times in his childhood - a three floor fall, drinking vitriolized
water by accident, swallowing a pin, burned twice, nearly being poisoned trice,
near drowning and other freak mishaps - to the point his own mother thought him
cursed to eventually die, only to realise how he managed to still scrape
through, designing the saxophone alongside other cool looking instruments, only
for really tacky muzak to besmirch his hard work. Now Urban Square's, actually
getting to the anime OVA itself and the score by Chickenshack, isn't that bad, but it does have the cheesiest aspect
to what is an anime very aware of its own clichés for good humour*.
In this short form action
thriller, which treats moments of death and potential severity as a playful
farce, there's a reoccurring gag which plays on our hapless protagonist Ryou Matsumoto,
who escapes bullet fire like a Lupid the
3rd character in cartoon motion, never wanting to write anything based on
his own life despite people constantly recommending this advice to him. The irony
is not lost when one character later introduced, a stereotypical hard boiled
cop eventually thrown off the police force, shots a helicopter with just a big
gun. It is a predictable narrative - one hero, villains who are very bad, a
female love interest named Yuki Tamura who is sweet and in peril a few times - with
the only real quirk being that the story's over faked relic certificates. The rest
could've been a live action Hollywood film.
From http://animediet.net/wp-content/uploads/2012/11/US3-600x374.jpg |
Probably the other idiosyncratic detail is the story being animated, which is important for myself as animating an action scene rather than shooting it on a set has a different effect. I must confess I can find action films dull despite the hard work making them, but due to the inherent hard work to put together an animated action scene, I had to appreciate animation when it's actually good, Urban Square for what it managed to do also good, especially as it is a solidly well made and stylish production. Noticeably as well, whilst it plays itself as comedic, it does play its actions sequences with real deaths involved, providing a sense of gristly consequence that does give the OVA an edge; all the while with its lead is still constantly referencing the clichés being used within the story itself for an added flavour to the material.
A large part of this is just
because its screenwriter is Kazunori Itō,
famous for the Patlabor franchise,
the first 1995 Ghost in the Shell
film and other famous productions which vary between serious and comedic tones.
He is, alongside everyone involved with the production, playing to the clichés
for fun. Whether it makes sense to or not doesn't clearly matter, one assassin
sent after Ryou not a gun toting villain but a martial artist sent to just
destroy him (and his entire apartment) with kicks and punches, nor the man
versus helicopter segment which feels entirely from the American action films
being made at the same time with more self awareness of itself as a moment.
Helping with Urban Square, as mentioned, is that it's one of the better made
anime OVAs I've seen from the eighties. Beginning with Akemi Takada's character, her career with famous eighties work like
Urusei Yatsura to Patlabor as well, it's a solid
production whose action scenes are fluid and gleefully unfolding its clichés up
front, from Ryou escaping an assassin with a giant machine gun to the hard
boiled cop who risks his career for what he believes is right. There's even a
properly executed joke just about a film the characters see within the
narrative, a Friday the 13th
pastiche where Jaws interrupts the proceedings. Because of moments like this,
I've had to rethink my opinion of Urban
Square: In Pursuit of Amber a lot in the time that's passed to this review.
I was ready to dismiss it originally as predictable but now in lieu to a lot of
time to have passed, the anime's developed a justifiable charm...even the
eighties muzak jazz.
========
* Arguably, Lisa Simpson and her sax playing, which was why an impressionable young boy like me, who watched The Simpsons obsessively, started to learn the alto sax in inspiration from the character, was a major benefit to jazz's reputation just for the Bleeding Gums Murphy stories.
* Arguably, Lisa Simpson and her sax playing, which was why an impressionable young boy like me, who watched The Simpsons obsessively, started to learn the alto sax in inspiration from the character, was a major benefit to jazz's reputation just for the Bleeding Gums Murphy stories.
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